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A depository of loose ends and tidbits, collected from the internet, as well as the universe, at large. More:gildadavidian.com
Rachel Harrison: It’s the failure of this that’s interesting to me. I want people to be real with art, to be conscious and present with the object in order to experience it. Sometimes when I am looking at a painting I might space out and start thinking about something entirely unrelated. When the painting wakes me back up I see more of what’s there before me, and it puts me back into the present. This kind of experience is becoming increasingly important to me as these other aspects of virtualization, marketing, and branding explode. Maybe I’m starting to think that artworks need to unfold slowly over time in real space to contest the instantaneous distribution and circulation of images with which we’ve become so familiar.
IMAGE SOURCE

Rachel Harrison: It’s the failure of this that’s interesting to me. I want people to be real with art, to be conscious and present with the object in order to experience it. Sometimes when I am looking at a painting I might space out and start thinking about something entirely unrelated. When the painting wakes me back up I see more of what’s there before me, and it puts me back into the present. This kind of experience is becoming increasingly important to me as these other aspects of virtualization, marketing, and branding explode. Maybe I’m starting to think that artworks need to unfold slowly over time in real space to contest the instantaneous distribution and circulation of images with which we’ve become so familiar.

IMAGE SOURCE

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