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My Barbarian’s Broke People’s Baroque Peoples’ Theater
Human Resources presents My Barbarian’s Broke People’s Baroque Peoples’ Theater, a residency in the form of a gallery installation that includes new videos, sculptures, and a performance environment.  The project highlights the paradoxes of an art practice founded in critique, which nonetheless relies on economic forces that are worthy of serious criticism.  In this time of spectacle and disparity, excess and poverty, the baroque figures as an ornate frame that contains all of these extremes.  My Barbarian performs a variety of styles within this frame; camp drag, baroque opera, communist drama, countercultural performance and world theater all accumulate into a set of narratives that assimilate too much information.  Enacting this accumulation, the group developed characters such as “Shakuntala DuBois” and “Cassandra Wasserstein Shakespeare,” masked figures who are trapped within cyclical forces they can foresee but cannot change.

My Barbarian’s Broke People’s Baroque Peoples’ Theater

Human Resources presents My Barbarian’s Broke People’s Baroque Peoples’ Theater, a residency in the form of a gallery installation that includes new videos, sculptures, and a performance environment.  The project highlights the paradoxes of an art practice founded in critique, which nonetheless relies on economic forces that are worthy of serious criticism.  In this time of spectacle and disparity, excess and poverty, the baroque figures as an ornate frame that contains all of these extremes.  My Barbarian performs a variety of styles within this frame; camp drag, baroque opera, communist drama, countercultural performance and world theater all accumulate into a set of narratives that assimilate too much information.  Enacting this accumulation, the group developed characters such as “Shakuntala DuBois” and “Cassandra Wasserstein Shakespeare,” masked figures who are trapped within cyclical forces they can foresee but cannot change.

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